Nazrul Sangeet (), also Nazrul Geeti (; ), refers to the songs written and composed by Kazi Nazrul Islam, who is the national poet of Bangladesh. Nazrul Geeti incorporate revolutionary notions as well as more spiritual, philosophical and romantic themes.Quazi Motahar Hossain (2025). 984555167X, Nazrul Institute. 984555167X
Background
Nazrul showed the symptoms of keen poetic and musical talent at a young age and started writing songs when he was a member of a Leto group (Folk Musical Group). Following Kazi Bazle Karim, his uncle and a leader of a Leto group, he became an expert in composing songs and setting them to tunes. Joining the Leto group enhanced his musical career and put a significant impact on shaping his future musical life. At a very young age he was excelled in composing songs in different languages, apart from the Bengali language. He met Satish Kanjilal, a teacher of
Searsol School who had an interest in classical music and some mastery over it. Observing Nazrul's irresistible inclination to music, Mr. Kanjilal imparted him some lessons on classical music. Later Nazrul widened his knowledge on music when he was serving as a Havilder in
Karachi Barrack under
Bengal Regiment. He learned a great deal of
Persian language, literature, and music with the help of a religious teacher from
Punjab attached with the regiment.
Nazrul Islam's musical style
Revolutionary mass music
The mass music and poems of Kazi Nazrul Islam have been widely used during the Indian Independence Movement and Bangladesh Liberation War. The music is highly motivational and revolutionary in nature with strong and powerful words and captivating tunes. It talks about the extremities of everything. The lyrics of those songs are provoking, as they talk against conservatism and about life on a broader parameter of philosophy and spirituality. The beauty of Nazrul's mass music lies in the freedom of its expression, which also drew immense criticism. However, those who understood its philosophy praised the courage and straightforwardness.
Ghazal
Nazrul's acquaintance with the tradition of Persian
, a form of love songs, was very significant in the sense that it paved the base of his successful efforts in composing Bengali Ghazals which he undertook by 1927–28. Bengali Ghazal is, it can be mentioned outright, an innovation by Kazi Nazrul Islam alone. It served as the first mass-level introduction of Islam into the mainstream tradition of
Bengali music.
Historical influence
Nazrul used his music as a major way of disseminating his revolutionary notions, mainly by the use of strong words and powerful, but catchy, tunes. Among the revolutionary songs,
Karar Oi Louho Kopat (Prison-doors of Steel) is best known and has been used in several movies, especially those made during the pre-independence period of Bangladesh.
Nazrul Geeti has recently been translated and recorded in Oriya (an Indian language) in the form of a studio album.
Notable songs
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Dolan Chapa (name of a faintly fragrant monsoon flower), poems and songs, 1923
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Bisher Bashi (The Poison Flute), poems and songs, 1924
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Bhangar Gan (The Song of Destruction), songs and poems, 1924 proscribe in 1924
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Chhayanat (The Raga of Chhayanat), poems and songs, 1925
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Chittanama (On Chittaranjan), poems and songs, 1925
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Samyabadi (The Proclaimer of Equality), poems and songs, 1926
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Puber Hawa (The Eastern Wind), poems and songs, 1926
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Sarbahara (The Proletariat), poems and songs, 1926
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Sindhu Hindol (The Undulation of the Sea), poems and songs, 1927
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Jinjir (Chain), poems and songs, 1928
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Pralaya Shikha (Doomsday Flame), poems and songs, 1930 proscribed in 1930
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Gumaite Dao Sranto Rabire (Let the tired Sun(Rabindranath) sleep), poems and songs, 1941.
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Shesh Saogat (The Last Offerings), poems and songs, 1958
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Notuner Gaan (The Song of Youth), 1928, National March of Bangladesh
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O Mon Romzaner Oi Rozar Sheshe Elo Khushir Eid, composed for Abbasuddin Ahmed, 1932
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Tribhubaner Priya Muhammad (Muhammad the beloved of three dimensions), composed for Abbasuddin Ahmed, 1935
Notable singers of Nazrul Sangeet
